Pianist BRYCE ROHDE Composer |
AUGUST CALENDAR /
2008 BRYCE ROHDE TRIO
Who Was His real name was Leon Bismarck Beiderbecke. "Bix Beiderbecke played the cornet with a lovely vibrant sound. ...he developed an original conception of tone and phrasing at a time when nearly every other jazz musician was under the spell of Louis Armstrong. Bix lived in Chicago while Armstrong was playing there, heard Louis and loved his playing, but he went his own way and took a number of young admirers along with him." Bill Crowe |
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| Wilson's Grammy Win Has
Real Class GRAMMY® Award Winner: Congratulations to Jazz vocalist Nancy Wilson, who won a GRAMMY® Award for Best Jazz Vocal Album for Turned to Blue (MCGJazz 1022) . You'll find real class on her award-winning CD, in Knitting Class , an exquisite collaboration of Composer Bryce Rohde / Lyricist K. Lawrence Dunham , featuring tenor saxophonist Jimmy Heath. Click here to listen to an MP3 clip of this soulful ballad. For more information on Turned to Blue , on the MCG Jazz label, visit mcgjazz.org. Stallings Records a Stellar Rohde New York CD Release: When jazz vocalist Mary Stallings recorded Why Should There Be Stars? a collaboration of Composer Bryce Rohde and Lyricist K. Lawrence Dunham , she created a treasure, by any measure. Released on her CD Remember Love at the Blue Note in New York City, this luminous recording enjoys Mary's rich, subtle phrasing, along with the brilliant musicianship of Geri Allen, Frank Wess, Wallace Roney, Vincent Herring, Daryl Hall and Billy Hart . Produced by Geri Allen on the Half Note label. Click here to learn more. |
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Jazzfest Reviews Here is what reviewers Down Under had to say when Bryce Rohde and drummer Lee Charlton joined the Trio's original bassist Bruce Cale for two fine performances in Victoria, Australia, 2003: John Clare, of SIMA wrote: "[Rohde's] is a milky, pearly sound, yet very cleanly defined. The familiar tunes with their distinctive bass lines ... their piano and bass unisons, their brief contrapuntal interludes, occasional time changes and implications of two times held simultaneously, tap some quite magical feelings. The solo lines run immaculately, yet have many surprises. American drummer Lee Charlton was perfect, clean, shimmering, tactful yet energized and inventive." |
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 Jazz festivals in Wangaratta and Melbourne are not to be missed! |
And Jessica Nicholas, of the Sydney Morning Herald describes: "an alluring set that served as a showcase for Rohde's lyrical and light-filled compositions. The ballad Heuter Lane was especially moving, its tender beauty underscored by an exceptionally subtle use of space and phrasing." |
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Woolloomooloo will stretch your jazz imagination as it roams new, interpretive terrain .  Order it online today! |
WOOLLOOMOOLOO * Bryce Rohde, piano, tennis balls, mallets, 7-inch reel boxes
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A wild wonderful foray into outside interpretations of Bryce Rohde's compositions. Treat yourself to some fun. THE STORY BEHIND WOOLLOOMOOLOO -- In the magical year of 1967, experimental
music having been my interest for some time, I wanted in this recording
to meld traditional instruments with any other instruments that might
be at hand. A spontaneous situation arose in which we were able to
take the intros, themes, interludes and codas of my original works,
and all go for a kind of 'lucky dip' in which each of us could feel
free to use any of them at any time. This approach allowed us to simply
listen and respond-in a disciplined freedom, drawing on our collective
jazz/improvising experience. -- Bryce Rohde |
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Bryce Rohde, piano Joe Carroll, bass Lee Charlton, drums |
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With
wit and verve, composer Rohde's masterful fingers alight on each
piano key, inspiring Joe Carroll's liquid bass and Lee Charlton's
deft percussion to at once delight the mind and feed the heart. Hailed
as " an
exemplary jazz performance " by allmusic.com .
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TURN
RIGHT AT NEW SOUTH WALES  |
" Remarkable,
brilliant, original.
Recommended by Dave Nathan at allmusic.com |
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This remarkable recording is highly influenced
by jazz maverick George Russell's seminal The
Lydian his distinguished volume is the definitive work of pianist-composer Bryce Rohde. For discriminating artists, it is the perfect companion to the CD by the same title. Original photographs included.
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ALWAYS
COME BACK HERE |
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About Bryce Rohde Born in Hobart, Tasmania, Bryce Rohde began studying classical piano at age eleven, in Adelaide, South Australia. In his twenties, exposure to Benny Goodman and Artie Shaw inspired him to begin arranging for big bands and small group jazz. In 1953, Rohde helped found the Australian Jazz Quartet/Quintet , which recorded ten albums and toured widely in Canada and the U.S. with Oscar Peterson, Miles Davis, Stan Getz, Woody Herman, Count Basie, Art Blakey, George Shearing, Dave Brubeck and many others. Rohde was recognized as one of the most influential jazz artists Down Under, when he formed the critically acclaimed Bryce Rohde Quartet in Sydney in 1958. Since moving to the States permanently in '65, Rohde has performed widely and composed over 60 jazz originals. Long recognized by an international following for his unique compositions and refined, sophisticated performances, Rohde has now made both available on the CDs listed on this page. |
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